Hochschularbeit
| Gisela Tilly: | Church furnishings of the last third of the 19th century exemplified by two paintings: the triptych of the Duchess Agnes of Saxony-Altenburg(Hummelshain) as compared to an image of St. George by a pupil of the Weimar School of painters Herger (Rittersdorf, both Thuringia). Examination of painting technique, style, intention and damages. Exemplary conservation and restoration and suggestions für a presentation. | Zurück |
| Sprache: | Original - Übersetzung | |
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| Zusammenfassung: | The art of the 19th century is generally compared with many different artistic styles and damages, caused by technical problems. This is demonstrated by two sacral pictures, the triptych of the Duchess Agnes of Saxony-Altenburg in Hummelshain and a scene of St. George killing the dragon by a pupil of the Weimar School of painters (Weimarer Malerschule) Edmund Herger in Rittersdorf (both Thuringia). Artistic education and intention, influenced by theological aspects and damages by craquelure and splatters of wax were examined, also regarding potential causes and characteristics. |
| Schlagworte: | Duchess Agnes of Saxony-Altenburg, Edmund Herger, Weimarer Malerschule, Overbeck, Pfannschmidt, craquelure, wax, church furnishings |
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| Kontakt: |
Gisela Tilly gisela.tilly@[Diesen Teil loeschen]gmx.de |
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